The film format is the running cost, and it is chosen at the till
The best instant cameras for 2026
An instant camera is bought once and its film format is bought forever, which makes that the first decision and the expensive one. Formats differ in print size and aspect — a credit-card-sized print, a square, a wider rectangle — and each is sold only by the maker that defined it, so the camera commits you to a supply chain as much as to a look. Everything else is simpler than a digital camera and more consequential, because there is no reviewing and no second attempt. Exposure is either fully automatic, automatic with a lighten-and-darken control, or manual, and that control is what saves a backlit picture from being wasted film. The flash is usually always-on by design; the ones that can be switched off are the ones usable in a room where the light is already good. A close-focus or selfie mode changes the lens for arm's-length subjects, and its absence shows up as a soft face. The viewfinder is offset from the lens, so parallax is real at short distances and some cameras mark the correction. A hybrid model photographs digitally and prints afterwards, which turns the film back into a choice rather than a consequence. We compare film format and print size, exposure control, flash behavior, close-focus mode, viewfinder and any digital printing path.
By Jean-Benoit Buisson